我於2010年在寶藏巖國際藝術村第一次做這項計畫，本次的藝術季我將以另一種形式重現。
作品的概念是來自於日治時期，臺灣和日本之間的關係，根據研究，當時在日治時期，人力車是人們主要的運輸工具，但在當時的社會，只有日本人可以坐在後座，人力車的車伕都是臺灣人。從這個歷史背景得到我這次計畫的靈感來源，我希望能換我來服務臺灣的民眾，但同時這次我會增加兩個踏板在後座，讓乘客也能助我一臂之力，在這個過程中，乘客與駕駛間將會產生一段更平等的關係。
I’ve done this project in 2010 at THAV in Taipei. this time will be re-build this project for this festival.
The concept is based on research that the relationship between Taiwan and Japan. according to research, I could know that Rickshaw was major transportation at that time when Old-Japan Government governing Taiwan.
One another thing I could know is, it's a major but only Japanese can be a ride on the back seat and Taiwanese driver must be pulling the Rickshaw. so I got some hints from this story. time has been passed, I would build it again and I wanted to pull a Taiwanese people. only one essence added in it. I’ve installed two pair of pedals on the back seat. so passengers can be pedaling to assist me to pull. this is a new relations ship. much more fair relationship between driver and passengers might be produced.
